“Mixing romance with the life-changing experiences of early adulthood – college life, first jobs, independence, self-discovery and finding love – theses authors are defining the new genre of New Adult. New Adult fiction blazed onto the scene a few years ago and rapidly captured the hearts and minds of readers. YA readers love the contemporary settings and frank discussions of sometimes taboo topics, while older romance fans love the raw emotions.” – Publisher’s Weekly Promo Email for this Webcast
I’m getting back to the original roots of this blog – when I shared notes from workshops and conferences – and will be sharing some notes today! The following are my scribblings from the Publishers Weekly Webcast on Sept 17th, 2014.
**Disclaimer: None of these notes are direct quotes from the authors. Please listen the Publisher’s weekly archive of this webcast to hear exactly what the authors said.**
MODERATOR, Rose Fox (Reviews editor for Publisher’s Weekly) started off the cast by asking each author to introduce themselves and their books.
Cora Carmack is the author of the Loosing It Series and the Rusk University Series. She writes lighthearted and funny books about real people struggling with realistic problems. Her 18-25 year-old characters ask: who am I, and what do I want to do with my life. She has eight New Adult titles under her belt, and her series are companion novels so you can read them out of order.
Molly McAdams has three New Adult titles and writes the Taking Chances and Forgiving Lies Series. She likes to focus on the serious side of New Adult, and doesn’t shy away from difficult topics. For example her new title Sharing You explores what it means to be “the other woman” and involved with a married man. She considers herself an emotional writer, and wants to look at the things that have been swept under the rug.
Nichole Chase writes the Royals Series, which she calls happy fluffy romances. She has three New Adult titles and her latest book is her first foray into darker subject matter. She also writes Young Adult.
J.Lynn is a prolific writer who has published young adult, new adult, and adult books. She also writes under the name Jennifer L. Armentrout. She writes about secrets, which are a common thread in her New Adult work, and likes exploring how keeping secrets can shape your future. She has four New Adult titles, as well as some paranormal New Adult coming out.
Sophie Jordan writes the Ivy Chronicles Series, which was inspired by a news article about college Key Clubs that she and her agent were joking about, only to discover it was the great premise for a series. She has three New Adult titles in her repertoire, but also writes Young Adult and Adult Historical Romance.
Jay Crownover writes about all the stuff that got her into trouble when she was a new adult. Her books focus on counter culture: tattoos, metal, rock n’ roll, etc. With nine New Adult titles, she loves exploring opposites attract stories, and writes the Marked Men Series.
MODERATOR: New Adult has only existed for a few years. Can we define what New Adult is and what it isn’t?
J. Lynn: New Adult is not a market. New Adult means the characters are between 18 and 25 years in age. Sometimes the love interests are outside of that age range. New Adult is all about firsts without a safety net. It’s first love, first lust, first home, first job, etc. It’s not having your parents to fall back on. Instead these characters are becoming independent for the first time. It’s not sexed up Young Adult. It goes far beyond that. It’s also not a marketing ploy to attract 18 to 25 year-old readers. Our readers range from 15 to 75!
“New Adult is all about firsts without a safety net.”
Sophie: YA is read by adults, but YA teen readers don’t jump from young adult to adult books. New Adult has pulled from both the YA and adult readership and created a bridge between the two. YA is the first kiss or first love. New Adult is the first time that really matters. These are relationships that could last the rest of the character’s lives. In YA these romantic relationships have less weight.
MODERATOR: How has self-publishing been a part of your path as a New Adult author?
Cora: My first book was self-published and then picked up by a traditional publisher. And now, I’m about to return to self-publishing with a New Adult paranormal series. I’ve decided to go indy because I’m ready for new sub-genres in New Adult. However, publishers are nervous to see anything in New Adult that’s outside of the current contemporary setting. It’s a shelving issue. Booksellers and librarians don’t know what to do with New Adult. The genre is just staring to find a mainstream audience. Going for digital self-publishing with this new series allows me to experiment. I can play with pricing, release dates, re-branding, etc. It creates a lot of great flexibility, and I only have to be worried about myself, rather than a whole company.
“When you self-publish as an individual you can front failure better than a publisher can.”
J.Lynn: My first New Adult book Wait for You was also self-published. Many of us on this panel actually self-published first. I am also working on a New Adult paranormal project that will be self-published. There’s a belief out there that paranormal is dead. But readers are still buying it. When you self-publish as an individual you can front failure better than a publisher can. Our readers are out there asking what’s next in New Adult. Is it paranormal, horror, New Adult without romance? But just because they’re asking for it doesn’t guarantee that they will buy it. Self-publishing allows us to experiment with lower risk.
Nichole: My first New Adult book was paranormal and self-published. I think paranormal is something the market still wants to read. People who love the paranormal genre are still out there. They’re still reading it. I like paranormal because of the creativity it allows and how my imagination can run wild.
Jay: I always wanted to write what I wanted to read. I like exploring more grit, life hardships, and what it means to try to find your place. Not everyone’s journey is to the “sweeter places.” I like stories with a steel backbone.
MODERATOR: How has digital publishing and novellas influenced New Adult?
Molly: People like digital publishing and how they can get books quick. With a novella the publishing process is faster, and the product is cheaper for the reader. Novellas really are full-length novels that are branded as a novella. But they’re quick reads. My readers say they often read one book a day.
J.Lynn: New Adult is a digital phenomenon. The genre really took off in 2011 and 2012 with the explosion of e-readers. Books are priced at $3.99, which is considered the “impulse buy price.” And readers like the immediate download. The low price point allows readers to dip their toes in the water. There’s less risk that they’ve invested in something they won’t like. Often New Adult books are under 100,000 words, but I’ve seen them as high as 140,000 words.
“$3.99 is the juicy spot in e-book pricing.”
Cora: $3.99 is the juicy spot in e-book pricing. It means the reader will read it right after they buy it. Whereas a book purchased for $0.99 often languishes on their e-reader. A $3.99 purchase has more weight. It’s still under $5, but feels like enough of an investment to read the book. New Adult writers are really prolific, which has to do with the initial demand and boom of the genre. But there’s a lot of competition out there now, both from self-published books and trade publications. Pricing is a big deal where there’s so much content out there. I’ve heard some people say online that they won’t buy a book that’s over $2.99, and they’re waiting for my books to go on sale. But we’re constantly exploring what works.
Sophie: One of my favorite reviews said: “Great book. Don’t let the $2.99 price tag scare you.”
MODERATOR: Where should librarians shelve New Adult books? Some are afraid to put it with YA because of the sexy content, but others are afraid it will get lost in the adult section. Any advice?
Cora: Some libraries are doing New Adult displays. But they’re not committing to a whole section because they don’t know if there’s a readership for it. In bookstores you often see New Adult shelved in the romance section. It’s interesting, I went into Books-a-Million, which has a New Adult shelf, and noticed that a huge percentage of the books are bestsellers. There were more bestsellers in the New Adult section than any other part of the store. Libraries should give New Adult a chance, there is a readership!
J.Lynn: The label “New Adult” is also what can confuse readers. Anyone who isn’t on blogs or twitter may have never heard of this term. Books-a-Million relabeled their New Adult sections as “Summer Love” in the summer, and “Fall into Love” in the autumn. This is helping the mainstream readership learn what New Adult is.
MODERATOR: Is this a woman’s genre? Is there room for male reader and writers? What about diversity?
Sophie: Right now the New Adult audience is a lot like the romance demographic. It is women of all ages. Some books are written in a guy’s POV, but most are in the female perspective. My Young Adult books have a higher percentage of male readers than my New Adult books do. But the YA books also explore other issues in them, where my New Adult is romance focused. It’s also about packaging and titles. A cover with a sexy guy kissing a girl is designed to only attract female readers.
Jay: I have more dude readers than most. I have a lot of college-age guys who email me and let me know they read my books. Fifty Shades has changed what is acceptable. Everyone bought Fifty Shades and read it on the bus or the subway.
“Reader purchasing habits speak for themselves. The power is really in the readers and librarians hands.”
J. Lynn: In terms of diversity, reader purchasing habits speak for themselves. The power is really in the readers and librarians hands. But yes, we do need awareness that these books exist. It’s taken a long time for diversity to make it into Young Adult books, I hope it doesn’t take as long to make its way to New Adult.
Molly: Readers do want mixed races in their New Adult books. I’ve had a lot of positive response to having an Asian character in one of my novellas.
Cora: Diversity is about getting the books into the readers hands, and then it comes down to buying power. We can say all day that New Adult has room for new subgenres (dystopian, sci-fi, etc.), and those books do exist. In fact, New Adult gets a lot of flak for being only romance. But those sub-genres are out there right now. But I can’t control what readers buy.
Moderator: I guess the genre really is what you make it! Thank you all for participating in this panel.
Learn more about this webcast, upcoming talks, and look through the archives here: Publisher’s Weekly Webcasts